The advisers of the minister are gathered for the last time. An overwhelming majority of men, a few of which, for the occasion, dropped the tie. The seventh floor of the hotel of the ministers, in the living-Michel-D ebré, they discuss in a low voice. The vast room full of woodwork hosts the biggest press conferences of the ministry. This August 30, 2016, Emmanuel Macron, minister of the Economy, officially announcing his resignation from the government. In front of him, on a wall, a tapestry of the Goblins, who asked ten years of work.
The young ex-minister, he remained less than two years in the walls. The time to shape his popularity, strengthen its networks, and acquire the experience of the State, in short, to prepare the offensive, in the comfort of a powerful ministry. “Today, I want to start a new stage of my fight [...]. I am determined to do everything to ensure that our values, our ideas, our action, to transform France as soon as next year, ” says the young wolf in front of journalists, before leaving by a back door, at the back of the room. This door leads to an elevator secret, which allows the minister to descend into his apartment. But Emmanuel Macron has used Bercy to climb. Like many before him, he turned it into a launching pad for his political career. “Last year, he lifted the foot (1),” sighs before us Michel Sapin, the minister of Finance.
Emmanuel Macron was receiving round-arm the influential figures in his office on the third floor. Including hierarchs, religious, philosophers, heads of associations, all worthy, but who had not much to do with the official duties of the minister of economy, industry and digital. Example : the political scientist Stéphane Rozès, consulted for two hours on a Saturday morning, to discuss ” the political imaginary of the French “. At Bercy, Emmanuel Macron also gathers his ” informal group “, as recounted in the journalist Marc Endeweld : “The writer and former adviser to François Mitterrand, Erik Orsenna, a former member of the commission Attali, in part, as the


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