Vjéran Tomic, accused of stealing 5 paintings from master, Monday, January 30, at the correctional court of Paris. – BERTRAND GUAY / AFP
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Where did the blue eyes and the softest of The Woman in the range, painted in 1919 by Amedeo Modigliani ? And will there be a day ? These questions, Vjéran Tomic and his two henchmen on trial for theft and possession of stolen goods “organised” five paintings of the masters, have tried to answer Monday, January 30, in the face of the correctional court of Paris.

” I liked “

Known by police ” for his special dexterity in the theft of jewelry and works of art “, Vjéran Tomic dares, before the commencement of the hearing, the comparison with Arsène Lupin. It must be said that the case was almost perfect. Shaved head, slim build mass – 1m90 for 100 kg – the one that the mid-nicknamed “spider” (” spider “) is able to steal from the Museum of modern art of the city of Paris, five paintings signed Picasso, Matisse, Braque, Modigliani and Léger for a total value estimated at 100 million euros. The flight, he calls to the bar “spectacular” has been meticulously prepared.

>> also read : But why steal paintings?

On the “command” or “demand” placed by his fence, an antique dealer installed gare de Lyon train Station, is only included two names : Fernand Léger and Modigliani. After having loosened a bay window, Vjéran Tomic notes that no system of alarm. The “man-spider” begins his journey in the halls of the museum. It does not two but five paintings : “They were not part of the order but I liked,” says the defendant.

” I misse it in the trash “

to such A point that when the appointment is made to complete